German TV series are finally taking off. Both historical drama and contemporary drama are red hot right now. Since GERMANY 83, a great Cold War spy drama based on the Able Archer NATO maneuver, all major streaming services have announced their own German productions: THE SAME SKY is an East German spy drama set in the 1970s. BABYLON BERLIN shows us the Roaring Twenties in a bipolar Berlin, torn between lavish parties and gruesome street violence. 4 BLOCKS is a gritty depiction of the present-day Neukölln mob. There is more: YOU ARE WANTED, DARK, CHARITÉ, EIGHT DAYS. Exciting times.
It seems that Germany has become super important for the United States. At least I got the impression that the NYT is featuring my country more prominently these days. Alas, not in foreign policy. Rather on sexism, swabian separatists, comedians, and "creative types":
1. Today: "Germany's Sexism Provokes Backlash" by Melissa Eddy and Chris Cottrell. A serious topic, which is very popular on Twitter at the moment.
2. Eleven days ago: "Swabian Separatists Fling Spätzle to Make a Point" by Nicholas Kulish:
Here are my three favorites so far in this election cycle: The best music video for a presidential candidate (Rick Santorum), the best video against a presidential candidate (Newt Gingrich), and the most bizarre one from a (former) candidate (Herman Cain).
1. While I don't agree with Rick Santorum's political views, I consider this the best music video for a presidential candidate. It helps me to better understand why so many Americans like him and why his campaign is so successful at the moment. The music video "Game On" by the band First Love, praises Rick Santorum's stands on faith, abortion, and manufacturing:
The Taliban had banned music and 99% of everything else that is fun. Now, an Afghan version of the "American Idol" called "Afghan Star" has been broadcasted for seven seasons. Millions are watching and voting for their favorite singers by mobile phone. For many this is their first encounter with democracy. A documentary from 2009 follows "the dramatic stories of four contestants as they risk all to become the nation's favorite singer."
The NY Times published the craziest op-ed on Germany's policy on Greece that I have seen in a broadsheet. Ever.
After tons of articles about Germany being too slow, too hesitant, too selfish to sufficiently help Greece, the NYT now opened its op-ed pages for the American economist Todd Buchholz to write about "Germany's Love for Greece":
Germany's real motivation to help Greece is not cash; it's culture. Germans struggle with a national envy. For over 200 years, they have been searching for a missing part of their soul: passion. They find it in the south and covet the loosey-goosey, sun-filled days of their free-wheeling Mediterranean neighbors.
In the early 1800s, Goethe reported that his travels to Italy charged him up with new creative energy. Later, Heinrich Heine made the pilgrimage, writing to his uncle: "Here, nature is beautiful and man lovable. In the high mountain air that you breathe in here, you forget instantly your troubles and the soul expands."
Kinder Eggs, a popular European chocolate egg that contains a toy inside, is banned from importation into the United States because it contains a "non-nutritive object embedded in it."
With the Easter holiday around the corner, the agency issued the reminder this week, warning that the candy is considered unsafe for children under 3. Last year, Customs and Border Protection seized 25,000 of them in 1,700 incidents.
I would like to call for a "war on hysteria," if that would not be so hysterical in itself. Where are the German Jon Stewarts, who could restore some sanity over here? The whole debate in Germany about multiculturalism and Muslims, immigration and integration is full of hysteria. It's gotten so hysterical, that this debate now includes Halloween and nuclear energy.
I am quite excited that Germany participates in the Eurovision Song Contest with an original, charming and funny artist, who can actually sing and is a bit crazy and therefore represents the new Germany very well. Lena Meyer-Landrut will perform the song Satellite at the Eurovision Song Contest, which was written by an American-Danish duo.
Although for the first time in years, Germany deserves "douze points," I don't think Lena Meyer-Landrut will get them from the other European countries. Animosities against Germany are too strong. Most Europeans have stronger emotional ties to other countries.
And Germany's current economic and fiscal policies make us the new bad boy. The NY Times writes "Germany Begins to Shed Its Role as E.U. Integrator":
Resisting a bailout for Greece, digging in over economic policy and opposing parts of a strategy for Europe's growth, Chancellor Angela Merkel of Germany will arrive Thursday at a European Union summit meeting ready to play an unfamiliar role: the bloc's naysayer. Once the invisible glue that bound the Union, German policy is now being dictated by less idealistic priorities rooted firmly by national interests.
I guess, we act now like a "normal" country. Well, so be it!
Germany's previously strong monetary and political support for EU integration did not make us popular enough to win the Eurovision Song Contest either. It just paved the way for German unification, but we got that now and have to focus on bigger national interests, like the Eurovision Song Contest and the Soccer World Cup.
My statements to the Russian English language TV station Russia Today probably cost us a few votes from Greek's Eurovision Song Contest community as well. The 10 minutes live interview took place last Friday. The video clip is from a weekly round-up and mentions just a few short statements of mine:
Since it is Easter, CNN writes this: